When Erin Palombi ’10 arrived at The ˿Ƶ as a first-year student, she knew she loved movies, but her film classes at ˿Ƶ introduced her to a discipline that she would continue to pursue after graduation and beyond. While at ˿Ƶ, Palombi majored in German studies and minored in film studies. As a moving image archives technician in the Library of Congress, Palombi relies on her interdisciplinary education every day.
While at ˿Ƶ, Palombi involved herself across campus. She took as many art classes as she could fit into her schedule, sang with the ˿Ƶ chorus, lived in the organic farming house, and studied abroad in Freiburg, Germany for a full year. “A liberal arts education allowed me to get involved with different groups in and outside of academia. I was able to pursue a German degree while also exploring interests in art, film, music, and nature,” she shared. “The combination of experiences helped paint a fuller picture of the world for me.”
Elements of her ˿Ƶ education still impact her work, including her senior Independent Study Project, “I am currently co-writing a book for the Library of Congress about a foundational film collection,” Palombi shared. “My I.S. experience was a valuable window into the writer-editor relationship. It gave me the freedom to pull on the threads that interested me and taught me how to own my ideas.”
Her background in film studies at ˿Ƶ prepared Palombi to pursue a post graduate degree. “My film classes gave me a foundation of knowledge that I built on in grad school and continue to reference today,” Palombi said.
After attending graduate school and receiving a master’s degree in film and media preservation, Palombi began a career working with moving images. She currently works as an archives technician working with films and descriptive materials related to films at the Library of Congress. “On the best days, I get to work with German collection items or translate German scripts, subtitles, or intertitles,” Palombi said.
Her daily responsibilities focus on processing collections: inspecting, identifying, and organizing materials. She has worked with a variety of moving image collections including film and video TV series, century-old copyright deposits, 70 mm feature films, and silent-era nitrate. “I enjoy being able to step away from my computer and interact with physical objects—sometimes in a 38-degree vault!” Palombi shared, noting that the temperature of the vault helps to preserve film.
Palombi’s passion for film, which blossomed during her time at ˿Ƶ, is evident in her work at the moving image archive. “I see the power of moving images, especially as links to the past. Anyone who treasures a home movie collection or who has memorized a favorite film can relate to that idea. I feel lucky to be a custodian of the country’s moving image heritage,” she said.
